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Countless other characters pass out and in of this rare charmer without much fanfare, yet thanks to the film’s sly wit and fully lived-in performances they all leave an improbably lasting impression.
“Deep Cover” is many things at once, including a quasi-male love story between Russell and David, a heated denunciation of capitalism and American imperialism, and ultimately a bitter critique of policing’s impact on Black cops once Russell begins resorting to murderous underworld practices. At its core, however, Duke’s exquisitely neon-lit film — a hard-boiled style picture that’s carried by a banging hip-hop soundtrack, sees criminality in both the shadows plus the sun, and keeps its unerring gaze focused on the intersection between noir and Blackness — is about the duality of identity more than anything else.
“Hyenas” is without doubt one of the great adaptations of the ‘90s, a transplantation of the Swiss playwright’s post-World War II story of how a community could fall into fascism as being a parable of globalization: like so many Western companies throughout Africa, Linguere has furnished some material comforts to the people of Colobane while ruining their economic climate, shuttering their field, and making the people completely dependent on them.
Charbonier and Powell accomplish quite a bit with a little, making the most of their very low spending budget and single place and exploring every sq. foot of it for maximum tension. They establish a foreboding mood early, and competently tell us just enough about these kids and their friendship to make the way they fight for each other feel not just believable but substantial.
There are profound thoughts and concepts handed out, but it's never written to the nose--It really is subtle enough to avoid that trap. Some scenes are just Excellent. Like the one particular in school when Yoo Han is trying to convince Yeon Woo by talking about colour concept and showing him the colour chart.
Figuratively (and almost literally) the ultimate movie of your 20th Century, “Fight Club” may be the story of the average white American guy so alienated from his identification that he becomes his possess
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That’s not to mention that “Fire Walk with Me” is interchangeable with the love porn show. Jogging over two hours, the movie’s mood is way grimmer, scarier and — within an unsettling way — sexier than Lynch’s foray into broadcast television.
“Underground” is surely an ambitious three-hour surrealist farce (there was a five-hour version for television) about what happens to the soul of a country when its people are pressured to live in a continuing state of war for fifty years. The twists from the plot are as absurd as they are troubling: A person part finds Marko, a rising leader during the communist party, shaving minutes off the clock each working day so that the people he keeps hidden believe the most recent war ended more recently than it did, and will therefore be inspired to manufacture ammunition for him at a faster price.
The film ends with a haunting repetition of names, all former lovers and friends of Jarman’s who died of AIDS. This haunting elegy is meditation on health issues, silence, as well as the void will be the closest film has ever come to representing Demise. —JD
Adapted from the László Krasznahorkai novel of your same name and maintaining the book’s dance-impressed chronology, Béla Tarr’s seven-hour “Sátántangó” tells a Möbius strip-like story about the collapse of a farming collective in post-communist Hungary, news of which inspires free poen a mystical charismatic vulture of a man named Irimiás — played by composer Mihály Vig — to “return from the useless” and prey to the desolation he finds Among xnxz the many desperate and xxn x easily manipulated townsfolk.
experienced the confidence or the cocaine or whatever the hell it took to attempt something like this, because the bigger the movie gets, the more it seems like it couldn’t afford for being any smaller.
Life itself is just not just a romance or maybe a comedy or an overwhelming because of “ickiness” or a chance to help out one’s ailing neighbors (Through a donated bong or what have you), but all of those things: That’s a lesson Cher learns throughout her cinematic travails, but just one that “Clueless” was developed to celebrate. That’s always in fashion. —
We asked with the movies that had them at “hello,” the esoteric picks they’ve never neglected, the Hollywood monoliths, the international gems, the documentaries that captured time inside a bottle, and the kind of blockbusters they just don’t make anymore.